Department of Computer Graphics

CGT 346 Digital Video & Audio

Coordinator: C.R. Morales
morales@purdue.edu  

Office Hours: See MyPurdue

Class Times and Location 
 


Course Description

Covers the use of digital technologies for video and audio focused toward use in multimedia, hypermedia, and animation products.  Students examine the methods for creating, sampling, and storing digital video and digital audio and the constraints placed on these media assets when used for media based products.  Emphasis is placed upon the technology of digital video and audio including formats, data rates, compressors, and the advantages and disadvantages of the different technologies..


Course Objectives

1.    Demonstrate understanding of the principles editing.
2.    Solve video compositing problem by using masking, tracking, color correcting, and animation.
3.    Properly compress a digital video when given a set of constraints.
4.    Author interactive video disks (DVD-Vide, Bluray) using standard authoring tools.
5.    Setup a solution to stream video.


Texts


Material Submittal:


Equipment

·        Media (DV tapes, CD-R's, DVD-R, removable Hard drive, etc.)

·       Firewire cable

·       Ballinger Book

·       Digital Video Camera


Grade Distribution

Points

Assignment

100

Presentations (concept pitch, storyboards, animatics, update, etc).

140

Project 1: Oddvertising Project

150

Project 2: Animated Intro (Motion Graphics)

200

Project 3: 30-sec Commercial

210

Homework Assignments

200

Final Examination

1000 Total Points

In addition to the assignments above, you are required to participate in at least three research studies conducted in connection with this course.


 Grading Philosophy:

Superior work, professional 

A

Above average student work 

Average student work 

C

Below average student work

D

Failure 

Student Conduct and Policies


Course Schedule:

Week 

Lecture - 1

Lecture - 2

Out of Class Project

On-Line Homework

1  

8/25

Introduction to Course 
Compositing Intro
Concept Pitch

Scene Construction:
Maltesse Falcon, Time to Kill

Project 1 Concept Presentation
Groups 1-3

Oddvertising Project Assigned


ebook Chapter 1

2   

9/1

Compositing
Masking

Editing for Time & Space
Potemkin, The Gift

Project 1 Concept Presentation
Groups 4-6


ebook Chapter 7

3  

9/8

Compositing
Masking

Continuity Principles
Match cutting, 180, Jump cuts, leading audio, camera motion

Project 1 Rough Draft Presentation
Groups 1-3

ebook Chapter 2

4

9/15
 

Compositing

Role of Camera: Objective vs. Subjective
Power Issues

Project 1 Rough Draft Presentation
Groups 4-6

ebook Chapter 3

9/22

Compositing

Principles of Cinematogaphy, Exposure, Color Temperature

Project 1 Final Presentation
All Groups

Oddvertising Project Due
Opening Animation Assigned


ebook Chapter 4

6  

9/29

Compositing

Project 2 Concept Presentation
Groups 1-3

 


ebook Chapter 5

7   

10/6

Compositing

Project 2 Concept Presentation
Groups 4-6

ebook Chapter 6

10/13

October Break

October Break

October Break October Break

9   
10/20

Technical Compositing

Project 2 Rough Draft Presentation
Groups -6

10  

10/27

Compression

Project 3 Concept Presentation
Groups 4-6

Opening Animation Due
30-sec Commercial Assigned

 

11


11/3

Spring Break

Spring Break

Spring Break Spring Break

12  

11/10

Compression

Project 3 Rough Draft Presentation
Groups 1-3

13

11/17

Web Video Delivery

Project 3 Rough Draft Presentation
Groups 4-6

 

14  

11/24

Thanksgiving break

Thanksgiving break

15  

12/1

DVD Production

Project 3 Final Presentation
Groups 1-3

16 

12/8

HD-DVD / Bueray Production

Project 3 Final Presentation
Groups 4-6

30-sec Commercial Due

17

12/15

Final Exam

 

Films:
Battleship Potemkin [Odessa Step Sequence]
Trip to the Moon
Ladies Man [Nun Sequence]
Maltese Falcon [Scenes 1 and 5]
The Gift [Body Discovery Sequence]
Merlin
+ numerous commercials

For information contact: Carlos R. Morales.

CGT 346